Today, consumers can digitally record their favorite television shows,
move recordings to portable video players, excerpt a small clip to
include in a home video, and much more. The digital television
transition promises innovation and competition in even more great
gadgets that will give consumers unparalleled control over their
media.
But an inter-industry organization that creates television and
video specifications used in Europe, Australia, and much of Africa and
Asia is laying the foundation for a far different future -- one in
which major content providers get a veto over innovation and consumers
face draconian digital rights management (DRM)
restrictions on the use of TV content. At the behest of American movie
and television studios, the Digital Video Broadcasting Project (DVB)
is devising standards to ensure that digital television devices obey
content providers' commands rather than consumers' desires. These
restrictions will take away consumers' rights and abilities to use
lawfully-acquired content so that each use can be sold back to them
piecemeal.
Consumers would never choose this future, so Hollywood will try to
force it on them by regulatory fiat. DVB's imprimatur may put
restrictive standards on the fast-track to becoming legally-enforced
mandates, and existing laws already limit evasion of DRM even for
lawful purposes. In effect, private DRM standards will trump national
laws that have traditionally protected the public's interests and
carefully circumscribed copyright holders' rights.
Hollywood has long pursued this goal in the U.S., but its schemes in DVB have
taken place behind the public's back and outside of scrutiny by
elected officials. In this paper, we will summarize and expose
Hollywood's plan.
The Electronic Frontier Foundation (EFF) is the only public
interest group to have attended DVB's closed technical meetings. As a
condition of participation, DVB imposed restrictions on our ability to
report on these meetings. Now, after key parts of DVB's new DRM
specification have been sent to the European standards body and may
soon be provided to other EU regulators, we are releasing this paper
to help consumer organizations and EU regulators understand the
significant public policy implications of various DVB work items.
CPCM: A System to Control Innovation, Competition, and Television Viewers
Despite record profits in recent years, American movie and television
studios have not relented in their cries that new technologies are a
mortal threat to their industry. They sued to block the VCR and the
first mass-market Digital Video Recorder (DVR) in the U.S., and,
having failed to stamp out recording in those efforts, they have
increasingly turned to creating restrictive technical standards backed
by law.
4:46:30 PM
|